declaration of dependence

Kings of Convenience’s new album initiates the advance of cool fall days where one will begin to sit and watch the leaves turn. If you have not yet heard Bergen, Norway’s Erlend Øye and Eirik Glambek Bøe you will soon be whisked away on a peaceful journey. This album serves to remind us that to Sweden’s north lies yet another chilled out yet oft-neglected locale.

This year marks a prolific one for Erlend Øye in that his other band The Whitest Boy Alive released one of early 2009’s catchiest albums named “Rules.” This album provided groovy hooks and a nice electrified but organic quality, which I envision launched Norway into spring fever.

Enter the fall, and with it cooler weather, apple picking drives with your significant other, and memories of warmer days. I envision that in Norway people frequently yearn for warmer days, and Declaration of Dependence certainly brings warmth to the table.

For the longtime fan, this album definitely quenches a 5 year thirst, and pulls the group back from obscurity’s grip. The sound of the group is left intact, and with little influence from other projects. Kings of Convenience provides us with a rhythmic, acoustic, smooth album for fall, which is just what our world needs in these hectic times. Check out one of my favorites, “Mrs. Cold,” and pick up your copy of Declaration of Dependence when it hits stores on October 20.

Kings of Convenience – Mrs Cold

jeremy jay

Jeremy Jay’s new album reminds of a lot of what I might have liked in the past with a nice dose and balance of the present. Often this album darts into neo60sish jaunts intermingled with synths and a rambling bass, which makes for great sunny day road music. Ironic, in that I find a “winter-themed” 60s revival indie rock for good sunny day road music, yet this disc provides us with just enough of the winter with a strong reminder that there are better days ahead.

The album is elegant and straight forward. Complexity is limited, yet the aim is respectable. This 60s revival type indie music has yet to truly be explored, and the elements of this sound are on display on this album. I wouldn’t term this the best album all year, yet it is an album for enjoying, especially on your next cherry blossom vespa ride.

In This Lonely Town – Jeremy Jay – Slow Dance

Will You Dance With Me? – Jeremy Jay – Slow Dance

Jeremy Jay at SXSW 2009

whitest-boy-alive

The Whitest Boy Alive caught my attention with their last album Dreams that was released in 2006. I’m not sure if it was their name or the tight music that really caught me, but after listening to their newest work I can confidently affirm that their music is stronger than ever. The group hails from Berlin, but is fronted by Norwegian Erlend Øye of the duo Kings of Convenience. The Whitest Boy Alive strikes out in a different direction from Erlend’s more folkish work with Kings, and their electronic indie pop/rock sound is one of the freshest I have heard this year. I have listened to the album on repeat since it graced my ears, and I encourage you to sample the following track “Island” and not sleep on this album…

The Whitest Boy Alive – Island – Rules

The Whitest Boy Alive – Courage – Rules – Live

7 trx - intermission

Hey there all you that missed me… I have had a series of things get in the way but I should be back to not making excuses and dropping sweet tunes consistently now. 

Now to the music. I love Studio, and by that I don’t mean studio quality music, I mean the Swedish balearic duo of Dan Lissvik and Rasmus Hägg. These guys have produced some mind blowing jams over the last couple of years, and now Dan goes it alone with his own project that deviates slightly from the previous formula. Instead of the synth/guitar work of Studio, we encounter a groovier work that features Dan’s guitar work. His guitar is played in a very similar fashion to Studio, and in fact I think you’ll find it indistinguishable. This stripped down work allows the listener to really just groove along with the guitar with frequent exotic percussive sounds intermingled. These forms of percussion are what gives the music its depth. The listener encounters congas, bongos, wooden castanets, and many other international sounds that give us the impression that we are in a tent filled with belly dancers on a dune at 4am on an acid trip. For those of us that love Studio, I think you’ll find that this work comes freakishly close, especially on track B2… 

This album contains seven untitled tracks, and I find that you will agree that the names of these tracks are less important than the middle-eastern late night thematics. Enjoy track B2 or track 6 as the cd would say… 

B2 (Track 6) – D. Lissvik – 7 Trx + Intermission

Burning Man 2005 Boots

Little Boots, arguably the best female DJ in the world, is at it again with another sweet mixtape. This one is entitled the “Automatic Lovers Mix,” and is an excellent follow-up to her “Computer Fairyland” mix from earlier this year. She utilizes a strategy of just enough retro combined with newer stuff and her own work. This ‘Automatic Lovers” mix is intended to be a survey of her work on her most recent tour, and I think you will find it complementary to her last tape. Keep your eyes and ears open for even more of her material… She is definitely one to watch for 2009. Here is the mix and a couple of videos to warm you through the holidays…

“Automatic Lovers Mix” – Little Boots

“Last Christmas” – Little Boots – Wham! Cover

“Meddle” – Little Boots – Live w/ Jools Holland

ghostland o

I was fortunate to catch Austin, TX’s Ghostland Observatory this Saturday night at a crowded 930 club. This was my first experience with the group, and I left impressed. Aaron Behrens’ countless gyrations left me in awe. I left wanting to eat whatever he eats for breakfast. For a front man to play just a little guitar, yet still leave the audience with the impression that he more than rocks is quite an achievement. I had heard a lot of hype about Ghostland’s performances, yet even with extremely high expectations, I still left impressed. Thomas Turner’s dracula cape covered stationary electronics were a good counterpoint to Behrens’ ridiculously high energy. I think Aaron danced a few good miles back and forth across the stage culminating in an encore where he slammed his ineffectual microphone stand across the stage. I’m not really sure why they gave him a stand at all, but I’m glad they threw in enough feet of cord so that he could work the entirety of the audience into a frenzy. Accompany this energy with a dozen laser lights and some fog machines and one has no choice other than to party. If you haven’t caught Ghostland before, I encourage you to go work off a few pounds with the boys…

“The Band Marches On” – Ghostland Observatory w/ The University of Texas Marching Band

“Stranger Lover” – Ghostland Observatory

“Vibrate” – Ghostland Observatory

little joy

Little Joy recently released their newest work. A self titled album that provides what many sun-loving people will need during the coming months. Little Joy is the project that was created through a Lisbon encounter of the Strokes’ drummer Fabrizio Moretti and Rodrigo Amarante de Castro Neves of Los Hermanos. They decided to create a project that was independent of both of their previous work, and in turn developed one of the more unique albums I’ve heard this year. The sound is interesting because it combines elements of Los Angeles’s beaches, and thrusts in Rio de Janeiro’s tropicalia. I find the combo to be very summer ready, and it should provide some escapism from the dreary winter months that are currently setting in. Here is the first single from the disc, and the accompanying video, and a recent studio session performance of “Unattainable” for your enjoyment…

“No One’s Better Sake” – Little Joy

“Unattainable” – Little Joy

yeasayer in fog

In addition to the previous night’s Vampire Weekend performance, I also was able to catch Yeasayer at the Sixth and I Synagogue. The dry venue that night combined with the religious nature of the venue left the crowd mostly serene at the beginning of Yeasayer’s performance. One got the feeling that a spiritual event was on its way, and Yeasayer delivered. Their psychedelic, futuristic, and “middle-eastern” tinged indie rock gradually built the crowd to a crescendo and aroused them off of their pews.

The highlights of the set were the new material throughout the opening, followed by crowd favorite tracks like “2080″ that really infused some energy into the audience. I am impressed by the direction of the group. They were not perturbed by the seeming lack of energy during the new material, and the audience’s unfamiliarity, and they ended up playing what might be my most memorable live experience of this year.

I am super excited for the next release from Yeasayer, which I anticipate in the beginning half of 2009. The performance’s psychedelic nature combined with the colorful soft glow of a multitude of moon globes was a transcendent experience that simply must be seen. Unfortunately, the boys are done for the year, but you can catch their simulate their live experience with videos and glow sticks for now. Hopefully, another professional video will hit soon as well, because the group was accompanied by a professional film crew for their set at the synagogue.

Here are a couple of videos of the aforementioned new tracks including “Tightrope” and “Ambling Alp” for your enjoyment…

“Tightrope” – Yeasayer

“Ambling Alp” – Yeasayer

“2080″ & “Tightrope” – Yeasayer – Courtesy of Blogotheque

Ezra Koenig - 930 Club

I’m finally back to blogging. I apologize to anyone that has missed me. Long hours on the campaign trail really sidetracked my writing, but I’m finally back at it.

I caught Vampire Weekend at the 9:30 club on Tuesday night, and I was excited to see them again after their well-played set I caught in Colorado earlier this fall. It was nice to experience their sound in a more intimate venue than the magestic Red Rocks amphitheatre. I think the smaller venue translated into a better overall experience, and it was good to see DC’s citizens actually move a little bit at a show.

Unfortunately, I would have to say I was slightly let down by their setlist from Tuesday night. I went into the show hoping to hear a little bit more of the new tracks that the boys have been working on. The rumblings of their collaborating with Peter Gabriel, and the two new tracks I heard in Colorado definitely had me excited going in. Their new work displays an understanding that their most successful sounds are the afro-beat styled work that they have developed. “White Sky” and “Little Giant” the two songs I heard from Colorado were both played excellently on Tuesday, and I remain excited to hear whatever else is in the pipeline. The highlight of the show for me was their cover of Fleetwood Mac’s “Everywhere.” This was an outstanding way to finish off the show and was a hit to the relatively unfamiliar crowd. The boys definitely played tight, and attempted to get the “better” crowd of the two nights moving. They played short, tight renditions of each song, which left us wanting them to jam it out a little bit more and loosen up from what felt at times like a scripted run through of the album. Overall, I was happy to have caught them again in a sold-out intimate venue, and can’t wait to see where their new work is taking them. After all, they did promise that after they record their second album that they would play much more like Bruce Springsteen and play a 2.5 hour set on their next visit to DC. Enjoy their cover of “Everywhere,” “White Sky,” “Little Giant,” another rarity “Arrows,” and The Teenagers’ (The Opening Act) remix of Cape Cod Kwassa Kwassa to aid in your enjoyment of your Thursday…

Everywhere (Fleetwood Mac Cover) – Vampire Weekend

White Sky (Live ABC Glasgow) – Vampire Weekend

Little Giant (Live ABC Glasgow) – Vampire Weekend

Arrows – Vampire Weekend

Cape Cod Kwassa Kwassa (The Teenagers Remix) – Vampire Weekend

Unfortunately, I won’t be at the Fleet Foxes’ appearance at The Black Cat this Friday the 3rd. The good news is that I will be seeing them later tonight at the Starlight Ballroom Dance Club in Killadelphia. The Foxes might be the best act to come out this year, and their blend of folk-indie-gospel-church-psychedelic beard rock is undeniably fresh. If you didn’t score a ticket to their Black Cat show this time around definitely don’t make the same mistake again. Here are a few Fleet Foxes tracks to stoke your fire for this Friday’s show. The first is a collaboration with Wilco on the Bob Dylan song “I Shall Be Released” that they recently released to inspire people to vote, and the next is a remix by The Twelves that appeared on The Twelves’ Episode II mix that came out back in August. The last track is my favorite song off of the Foxes’ self-titled release from earlier this year entitled “Ragged Wood,” enjoy and don’t forget to support the artists…

I Shall Be Released – Wilco w/ Fleet Foxes

White Winter Hymnal (The Twelves Remix) – Fleet Foxes

Ragged Wood – Fleet Foxes – Fleet Foxes